In a remarkable journey from the vibrant streets of Manurewa – South Auckland to the grand international stage, a daughter of Samoa and Fiji is poised to make history as the first-ever Polynesian to claim a prominent role in a beloved musical production.
The renowned musical adaptation of “The Bodyguard,” which originated from the iconic 1992 film, brings to life the story of Frank Farmer, a former Secret Service agent hired to provide security for the illustrious superstar Rachel Marron. Initially immortalised by Whitney Houston in the original film, the role of Rachel has now found its embodiment in Emily Williams, a former finalist on the Australian Idol show.
Reflecting on the profound significance of this opportunity, Williams expressed, “All those years of experiences and opportunities seem to have been converging towards a moment like this.” Overwhelmed with emotion, she recounted her disbelief upon learning the news, stating, “Tears streamed down as I questioned the reality of it. I kept thinking, ‘Could this be a prank?’ Even my manager had to reassure me, saying, ‘No, Emily, this is real, they genuinely want you.'” Williams, who participated in the Australian version of the musical back in 2017, had not anticipated a leap onto the Broadway stage at the age of 50.
Hailing from a Pacific Island heritage, Williams acknowledges the significant influence she will wield over aspiring Pacific youth seeking careers in the performing arts. She remarked, “I’m acutely aware of the magnitude of my role and the communities I am representing. Our Pacific communities rarely encounter such opportunities. This goes beyond the borders of Australia and Aotearoa. I had to confront this reality head-on and fully embrace my path.”
A symbol of her cultural roots, Williams proudly bears the traditional Samoan tatoo on her hands. These symbols carry a weighty meaning, signifying the protection and nurturing of family, the preservation of cultural heritage, and the passing down of knowledge to future generations. Interestingly, while she showcases this cultural emblem in her personal life, it won’t be making an appearance on stage due to the nature of the character from the original narrative.
Reflecting on the broader representation of Pacific Islanders in the entertainment industry, Williams spoke candidly about her yearning for greater visibility. She shared, “I attended a Tina Turner concert in the UK and realized how we are almost invisible in such spaces. It’s a desire I have—to wear my cultural markings proudly, even on my face.”
Currently engrossed in rehearsals in London, Williams is gearing up for her debut as Rachel Marron, scheduled to commence in Liverpool this September. As she adjusts to the time difference from her home in Melbourne, she humorously acknowledges that the real struggle isn’t jet lag but rather the absence of her cherished island soul food. With a chuckle, she confessed, “I can’t believe how out of shape I’ve become. Blame it on all the taro and pisupo (corned beef) I was indulging in before arriving here. I didn’t foresee this opportunity, so I was eating normally. Before departing home, I even inquired if I could bring some keke pua’a (Pork buns) with me to the UK.”
In the unfolding saga of Emily Williams’ remarkable journey, the spotlight is now set to illuminate her Polynesian heritage, her talent, and her pioneering role in “The Bodyguard” musical, a tale that resonates with audiences far beyond the confines of the stage.
